Ryan Gander or the pleasurable frustration

This review was originally published on the online art magazine A*DESK in September 2011 An abandoned industrial warehouse in the east of London is the scenario chosen by the British artist Ryan Gander to represent his latest and until now most

Time travels and the (de)construction of contemporary myths

(In September 2011, the Spanish media & video art distribution platform HAMACA invited me to curate a text-based itinerary through their extensive moving image catalogue. This is the result.) Throughout this itinerary, I would like to navigate through the HAMACA