An interview with Ryan Gander

Conceptual art offers viewers a journey along an associative chain. There is always a bottom. O rather, the work attains its own life by cannibalizing the half-lives of its sources. Looping back through multiple tropes to arrive at its own

Luis Camnitzer’s “Reflejos y Reflexiones”

This review was originally published on Art-Agenda in January 2012 After several years of teaching and working in printmaking, the Uruguayan artist Luis Camnitzer made what he considers to be his first conceptual piece. It was 1966: written in black plastic