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	<title>Comments for SelfSelector</title>
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	<link>http://selfselector.co.uk</link>
	<description>Critical writing by Lorena Muñoz-Alonso</description>
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		<title>Comment on Ryan Gander or the pleasurable frustration by An interview with Ryan Gander &#171; SelfSelector</title>
		<link>http://selfselector.co.uk/2011/10/14/ryan-gander-or-the-pleasurable-frustration/#comment-1800</link>
		<dc:creator><![CDATA[An interview with Ryan Gander &#171; SelfSelector]]></dc:creator>
		<pubDate>Tue, 17 Jan 2012 15:17:16 +0000</pubDate>
		<guid isPermaLink="false">http://selfselector.co.uk/?p=770#comment-1800</guid>
		<description><![CDATA[[...] the end of the summer of 2011 Ryan Gander presented &#8216;Locked Room Scenario&#8217; (you can read my review here), a grand scale mise-en-scène that [...]]]></description>
		<content:encoded><![CDATA[<p>[...] the end of the summer of 2011 Ryan Gander presented &#8216;Locked Room Scenario&#8217; (you can read my review here), a grand scale mise-en-scène that [...]</p>
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		<title>Comment on Truth Study? Interview with Wolfgang Tillmans by We Find Wildness</title>
		<link>http://selfselector.co.uk/2010/11/15/interview-with-wolfgang-tillmans/#comment-1788</link>
		<dc:creator><![CDATA[We Find Wildness]]></dc:creator>
		<pubDate>Tue, 13 Dec 2011 13:53:57 +0000</pubDate>
		<guid isPermaLink="false">http://selfselector.co.uk/?p=533#comment-1788</guid>
		<description><![CDATA[[...] I had worked with found newspapers before, in the ‘Soldiers’ series (1999). I have to confess I am a bit of a newspaper junkie and have collected them since childhood. I often think that a day’s newspaper contains the essence of the whole world. But I guess that around 2002–2004, the years post 9/11, a clearer picture of the world we live in emerged – all the insanity that surrounded us – after what had seemed like the less politically charged 1990s. I was enraged and concerned and spending a lot of time reading media and thinking about all these different claims to the truth, ‘the big truth’ which was the ultimate justification behind all that violence and those wars. I realised that all the problems that the world faces right now arise from men claiming to possess absolute truths. &#8211; WOLFGANG TILLMANS for SelfSelector [...]]]></description>
		<content:encoded><![CDATA[<p>[...] I had worked with found newspapers before, in the ‘Soldiers’ series (1999). I have to confess I am a bit of a newspaper junkie and have collected them since childhood. I often think that a day’s newspaper contains the essence of the whole world. But I guess that around 2002–2004, the years post 9/11, a clearer picture of the world we live in emerged – all the insanity that surrounded us – after what had seemed like the less politically charged 1990s. I was enraged and concerned and spending a lot of time reading media and thinking about all these different claims to the truth, ‘the big truth’ which was the ultimate justification behind all that violence and those wars. I realised that all the problems that the world faces right now arise from men claiming to possess absolute truths. &#8211; WOLFGANG TILLMANS for SelfSelector [...]</p>
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		<title>Comment on Notes for an idealistic visit to the Frieze Art Fair by ¡A vueltas con la maldita pintura! &#124; nosotros</title>
		<link>http://selfselector.co.uk/2011/11/02/notes-for-an-idealistic-visit-to-the-frieze-art-fair/#comment-1757</link>
		<dc:creator><![CDATA[¡A vueltas con la maldita pintura! &#124; nosotros]]></dc:creator>
		<pubDate>Fri, 11 Nov 2011 11:24:34 +0000</pubDate>
		<guid isPermaLink="false">http://selfselector.co.uk/?p=783#comment-1757</guid>
		<description><![CDATA[[...] a mano en el intercambio mercantil. Claro ejemplo de esta tendencia fue la recientemente celebrada edición de Frieze 2011, con un clarísimo triunfo del collage, el dibujo y la [...]]]></description>
		<content:encoded><![CDATA[<p>[...] a mano en el intercambio mercantil. Claro ejemplo de esta tendencia fue la recientemente celebrada edición de Frieze 2011, con un clarísimo triunfo del collage, el dibujo y la [...]</p>
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		<title>Comment on Time travels and the (de)construction of contemporary myths by Time travels and the (de)construction of contemporary myths &#124; Translados</title>
		<link>http://selfselector.co.uk/2011/10/01/time-travels-and-the-deconstruction-of-contemporary-myths/#comment-1630</link>
		<dc:creator><![CDATA[Time travels and the (de)construction of contemporary myths &#124; Translados]]></dc:creator>
		<pubDate>Sat, 01 Oct 2011 16:28:52 +0000</pubDate>
		<guid isPermaLink="false">http://selfselector.co.uk/?p=732#comment-1630</guid>
		<description><![CDATA[[...] by Lorena Muñoz-Alonso, first published at selfselector. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] by Lorena Muñoz-Alonso, first published at selfselector. [...]</p>
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		<title>Comment on Weekend &amp; La Chinoise: Why these two Godard&#8217;s 1967 masterpieces are still relevant today by Time travels and the (de)construction of contemporary myths &#171; SelfSelector</title>
		<link>http://selfselector.co.uk/2009/06/07/weekend-la-chinoise-why-these-two-godards-1967-masterpieces-are-still-relevant-today/#comment-1629</link>
		<dc:creator><![CDATA[Time travels and the (de)construction of contemporary myths &#171; SelfSelector]]></dc:creator>
		<pubDate>Sat, 01 Oct 2011 16:08:54 +0000</pubDate>
		<guid isPermaLink="false">http://selfselector.co.uk/?p=157#comment-1629</guid>
		<description><![CDATA[[...] speak about El Enemigo (2010), by WeareQQ. El Enemigo is a reworking of that Godardian myth called La Chinoise (1967). The young protagonists’ endearing and pedagogic verbal diarrhoea, the film credits, the [...]]]></description>
		<content:encoded><![CDATA[<p>[...] speak about El Enemigo (2010), by WeareQQ. El Enemigo is a reworking of that Godardian myth called La Chinoise (1967). The young protagonists’ endearing and pedagogic verbal diarrhoea, the film credits, the [...]</p>
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		<title>Comment on About &amp; Contact by konsthopp</title>
		<link>http://selfselector.co.uk/about-contact/#comment-1576</link>
		<dc:creator><![CDATA[konsthopp]]></dc:creator>
		<pubDate>Fri, 27 May 2011 14:20:46 +0000</pubDate>
		<guid isPermaLink="false">http://vectorsize.com/slfs/?page_id=6#comment-1576</guid>
		<description><![CDATA[What an impressive career for one person. I would even read her PhD essay.]]></description>
		<content:encoded><![CDATA[<p>What an impressive career for one person. I would even read her PhD essay.</p>
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		<title>Comment on Seb Patane: The Hidden Alchemist by Welcome to the Peaty Blog &#187; Blog Archive &#187; Lost and found&#8230;</title>
		<link>http://selfselector.co.uk/2010/03/16/seb-patane-the-hidden-alchemist/#comment-1550</link>
		<dc:creator><![CDATA[Welcome to the Peaty Blog &#187; Blog Archive &#187; Lost and found&#8230;]]></dc:creator>
		<pubDate>Wed, 12 Jan 2011 19:05:45 +0000</pubDate>
		<guid isPermaLink="false">http://selfselector.co.uk/?p=289#comment-1550</guid>
		<description><![CDATA[[...] Seb Patane [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Seb Patane [...]</p>
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		<title>Comment on About &amp; Contact by Mark Scott-Wood</title>
		<link>http://selfselector.co.uk/about-contact/#comment-1547</link>
		<dc:creator><![CDATA[Mark Scott-Wood]]></dc:creator>
		<pubDate>Thu, 06 Jan 2011 22:23:22 +0000</pubDate>
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		<description><![CDATA[What a fabulous site. The First article I read was about Hilary Lloyd. Now, I feel right at home!]]></description>
		<content:encoded><![CDATA[<p>What a fabulous site. The First article I read was about Hilary Lloyd. Now, I feel right at home!</p>
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		<title>Comment on The Ghost of Francesca Woodman by Laura.southampton</title>
		<link>http://selfselector.co.uk/2007/03/16/the-ghost-of-francesca-woodman/#comment-1545</link>
		<dc:creator><![CDATA[Laura.southampton]]></dc:creator>
		<pubDate>Tue, 04 Jan 2011 02:55:06 +0000</pubDate>
		<guid isPermaLink="false">http://vectorsize.com/slfs/?p=10#comment-1545</guid>
		<description><![CDATA[i turned 19 on newyears, im on an art foundation course. art is my passion and its all ive ever known.. but im strugglin to find hope in a career in art because quite frankly im gettin depressed too. without bein too cleche, people always tell me ive achieved and delt with alot, im always comming out with ideas, i love being creative.. i experiement with all diciplines including photography... but do i really want art to take over my life?? ive always used art as an outlet. but picking the right uni when there&#039;s all these strikes and goverment issues really doesnt help me have faith when its a risky career anyway, and the compettion for london??
It doesn&#039;t help that ive lost ambition, not passion, just direction and i hate not knowing what im doing?

any tips?]]></description>
		<content:encoded><![CDATA[<p>i turned 19 on newyears, im on an art foundation course. art is my passion and its all ive ever known.. but im strugglin to find hope in a career in art because quite frankly im gettin depressed too. without bein too cleche, people always tell me ive achieved and delt with alot, im always comming out with ideas, i love being creative.. i experiement with all diciplines including photography&#8230; but do i really want art to take over my life?? ive always used art as an outlet. but picking the right uni when there&#8217;s all these strikes and goverment issues really doesnt help me have faith when its a risky career anyway, and the compettion for london??<br />
It doesn&#8217;t help that ive lost ambition, not passion, just direction and i hate not knowing what im doing?</p>
<p>any tips?</p>
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		<title>Comment on Weekend &amp; La Chinoise: Why these two Godard&#8217;s 1967 masterpieces are still relevant today by Bibliography &#124; Maroneword&#039;s Blog</title>
		<link>http://selfselector.co.uk/2009/06/07/weekend-la-chinoise-why-these-two-godards-1967-masterpieces-are-still-relevant-today/#comment-1493</link>
		<dc:creator><![CDATA[Bibliography &#124; Maroneword&#039;s Blog]]></dc:creator>
		<pubDate>Mon, 29 Nov 2010 23:30:50 +0000</pubDate>
		<guid isPermaLink="false">http://selfselector.co.uk/?p=157#comment-1493</guid>
		<description><![CDATA[[...] &amp; La Chinoise: Why these two Godard’s 1967 masterpieces are still relevant today’ http://selfselector.co.uk/2009/06/07/weekend-la-chinoise-why-these-two-godards-1967-masterpieces-are...(5.11.2010) Kodac, OnFilm interviews. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] &amp; La Chinoise: Why these two Godard’s 1967 masterpieces are still relevant today’ <a href="http://selfselector.co.uk/2009/06/07/weekend-la-chinoise-why-these-two-godards-1967-masterpieces-are...(5.11.2010)" rel="nofollow">http://selfselector.co.uk/2009/06/07/weekend-la-chinoise-why-these-two-godards-1967-masterpieces-are&#8230;(5.11.2010)</a> Kodac, OnFilm interviews. [...]</p>
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